Angela M. Brown
1964
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A chorus of
critics acclaimed soprano Angela Brown as "classical music's next great
hope" when she made a sensational debut as the lead in a Metropolitan
Opera production of Verdi's Aida in November 2004. The audience responded with what was
described as a "roar" of applause to her performance as a substitute
for the usual singer, who was ill.
Described as a performer in
the tradition of Leontyne Price, a singer with a
similar voice and background, Brown's sudden emergence as an opera star came at
the end of a twenty-year journey that began in Indianapolis, Indiana, where she
grew up as the daughter of an autoworker.
Brown sang gospel music in
her grandfather's Baptist church throughout her childhood and young adult
years. She also participated in numerous talent and variety shows in the
Indianapolis area. After graduating from high school, she completed a degree in
secretarial science.
As Brown entered her 20's,
she lost a brother and, after a soul-searching look at her beliefs, became a
Seventh-day Adventist. At age 22, she enrolled at Oakwood College, now
university, where she spent the next five years working with Ginger Beazley in
developing what Beazly recognized as an exceptional
voice, one suited for opera.
Although Brown had entered OC
planning to prepare for work as a gospel singer and Bible worker, Beazley and
another talented student, Angelique Clay, who would eventually teach at OC,
encouraged her to explore the possibility of becoming an opera singer. During
the OC years, Beazley took Brown to her former teacher at Indiana University,
noted soprano Virginia Zeani, for a master class. Zeani was excited by Brown's voice and her potential for a
career in opera.
After graduating from OC in
1991, Brown went to IU, where she began graduate study and an arduous
preparation for an opera career that included language study, numerous
appearances in student produced operas, and competing in Metropolitan Opera
National Council Auditions. After three attempts in the Met competitions, she
won on her fourth try, in 1997, at the age of 33, the last year of eligibility.
Since leaving IU in the late
1990's, Brown has debuted at the Opera Company of Philadelphia, Carnegie Hall,
and the Metropolitan Opera. Following her success at the Met in 2004, she has
performed internationally in several prestigious venues.
She has recorded five CD's,
the first being opera arias, art songs, and spirituals, accompanied on piano by
former IU Dean Charles Webb (1995). A second recording with the Cincinnati Pops
Orchestra includes selections from George Gershwin's Porgy and Bess
(1997).
Other recordings in 1997
included a performance as guest artist on the Joy of Music Television Series in
Heidelberg, Germany, and another of an appearance at the Hour of Power (Crystal
Cathedral). A final CD, Mosaic, featuring African-American spirituals,
accompanied by pianist Joseph Joubert, was released
on the Albany Records label in 2004.
Critics have described her
voice as an unusual combination of power and finesse. Opera Now has refered to it as a "powerhouse of an instrument,
shimmering with colour and imaginatively used."
ds/2012
Sources: Ryan
Piurek, "IU School of music alumna Angela Brown
prepares for debuts Carnegie Hall and the Met, Media Relations, Indiana
University, Media Relations, 7 June 2004; Anne Midgette,
"For a Fill-In Aida, A Triumph Long in Coming," 9 November 2004, New
York Times; Patricia C. McCarter, "She Roars, She Glows, She's
Aida," The Huntsville Times, 11 November 2004; Michele Solomon,
"Opera Diva Angel Brown Gives Back to Alma Mater," November 2006, Southern
Tidings, 25; Wikipedia, last update, 11 February 2012.